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Orbiting the writing of Gertrude Stein, these delicate, agile poems seduce readers away from representation and toward sound, texture, and absence. Here, a sentence is no longer a sentence, but "a word in pieces, plastered, faster," which "crumbles" on the page into strange and luminous syntactical patterns that create new pathways for meaning. Roughly woven, rough to touch. Small words stealing fog. The rest are tongue flicks. Home is how hard you eat your heart out. Natalie Simpson is a Calgary-based writer and former editor of filling Station magazine.
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