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This study conceives of Thomas Hoccleve's Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. Performances of this culture manifest themselves in several aspects of the text, which for the first time will be studied in a mindset that combines the concept of performativity with the postulations of the Material Philology.
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